Limitless

Struggling writer Eddie (Bradley Cooper) faces the cliché story of writers block and after being dumped by his hot girlfriend (Australia’s Abbie Cornish) his life can’t get much worse. That is until he bumps into his ex-brother-in-law who offers him a new kind of drug, yet to appear on the market. This drug enables you to access the full potential of your brain. Eddie tries to refuse but easily gives into temptation, swallowing the pill – the catalyst event that changes his life. Writing becomes less important to Eddie and with his full brain capacity he turns to the stock market, with the ability to understand and predict the markets outcome. This however does not go unnoticed, especially by businessman Carl Van Loon (Robert De Niro) and also a few bad men who are after Eddie’s head.
The film contains a compelling mystery, some surprising twists and a talented cast. One of the main highlights in the film is the way in which they visually achieved in demonstrating the characters perceptions of being on this drug; warmer colours, clearer sounds, rotoscoping and the sick-inducing continual zoom.
A film about drugs – the most powerful drug in the world – one would expect a powerful fall. This is evident in the crisis when one of Eddie’s actions on the floor of his apartment should be a wakeup call to any drug addict! But the ending does not refer to any wakeup call and instead ends on a high.
Moral of the story – Drugs are bad but Eddie doesn't learn a thing.
3.5/5

Red Riding Hood

Catherine Hardwhicke’s first movie since Twilight is a twist on the children’s story Little Red Riding Hood. The film is set in a medieval mountain village, where the townsfolk have lived in fear for many years because of the presence of a deadly werewolf. A not so little red riding hood, known in this story as Valerie (Amanda Seyfried) is mixed up in all the werewolf drama when her younger sister is killed by the wolf. Now Valerie not only has to deal with the choice between being with arranged fiancé Henry (Max Irons) or childhood lover Peter (Shiloh Fernandez); she also has to fight against the wolf and its desires for her. The mystery of the film lies with the identity of the werewolf, which could be anyone in the village.
The first issue with this film is that it will immediately be compared to Twilight because of the notable Catherine Hardwhicke style, but at the end of the day these are two completely different films. The story itself is a bit shaky, mainly due to the heavy Bold and the Beautiful dialogue. The introduction of Gary Oldman’s character breathes life into the film, and you almost forget how obscene the dialogue is when Oldman performs it. The film does have a good enough twist and attempts an emotional ending, but it’s all a bit underdeveloped. The art direction and cinematography is the highlight. The red cloak against the snow is beautiful, but this alone cannot save the film.
Pure escapism and a bit of fun.
2.5/5