Transformers 3: Dark of the Moon

Transformers Dark of the Moon is the third film of the franchise and supposedly the last, and boy did it go out with a bang. It was a massive improvement on the second and while it didn't have the same freshness as the first film, Micheal Bay did achieve in making one entertaining popcorn 'turn-your-brain-off' spectacle.
The story is exactly what we expect of a Transformers film; withdrawn epic battle scenes, some quite well crafted comedic moments and at times some impressive showcasing of acting abilities. Transformers 3 is an 'End of the World' film which is pretty much played in fast forward and as an audience member we are more than happy to go along for the ride.
Sam (Shia LaBeouf) is again the main character but is now dating a British babe Carly (Model, Rosie Huntington-Whiteley) after being dumped by Megan Fox's character. (The removal of Megan Fox is maybe the best part of the film). Sam soon learns of a secret that has been kept since the 1960's concerning the dark side of the moon and a possible Autobot weapon that may hold the key in defeating the Decepticons. And so the race begins to uncover the true purpose of the weapon and the surrounding secret alliances between robots and humans. Nothing in the story is too complicated or for that matter much of a surprise. Transformers 3 does however succeed in concluding the requirements that the story sets up in the first act of the film. 
One of the highlights is the list of stars that lend their talent to the film. Frances McDormand is a clear winner as the US Secretary of Defense but Patrick Dempsey, Alan Tudyk, John Malkovich and yes even that Asian guy from The Hangover, Ken Jeong, give memorable performances. Shia LaBeouf again delivers wonders as the true hero of the film and first time actor Rosie Huntington-Whiteley does a great job as the female lead, so great in fact that we can almost forget about that other chick from those previous films - almost.
There are some great comedic moments in the beginning half of the film which is imperative because the final hour is filled with fight after fight in an epic conclusion to the trilogy.
The CGI effects are naturally top notch and the 3D adds a much needed layer to the viewing experience and enjoyment of the film, bringing depth to these fantastic robots.
One of my favorite moments in the film is the opening sequence where real footage from the 1960's is intertwined with the films own recreations of key world events that aids in visually explaining a main part of the films back story.
While the film is not without fault, mainly all within the lack of script development, it does deliver an epic Hollywood blockbuster that is sure to make millions around the globe. And yes, this will not be every one's cup of tea, but it is a film that you need to watch if you have bothered to see the first two installments. With this third film we say good bye to the Transformers franchise although a part of me wants to say 'until next time,' after all we are talking about the sequel dependent Hollywood.

Water for Elephants

Set against the depression in the early 1930's, a young and intelligent Jacob Jankowski (Robert Pattinson) has a life full of hope and dreams. But while he sits his last exam to graduate veterinarian science, his Polish immigrant parents die in a car crash. With no family, no home and no money; Jacob is reduced to leaving his life behind and heading to the big city. One night while walking along the railway tracks, he jumps onto a passing train which so happens to be home to a travelling circus. And so Jacob is thrust into the world of circus folk and is instantly mesmerised by the beautiful star performer Marlena (Reese Witherspoon) and her dazzling act with animals. Due to Jacob's vet background, Circus owner and husband to Marlena, August (Christoph Waltz) snatches Jacob up as the new elephant keeper. This introduces the greatest character of the film, Rosie the Elephant and also begins the catalyst for Jacob and Marlena's relationship to grow. The power hungry and unstable August soon becomes suspicious.
Water for Elephants magically captures the magnificent life of the circus while never shying away from the cruel realities. The acting is amazing; RPatz handles lead role well and is a perfect match for the always beautiful Reece Witherspoon. Christoph Waltz brings another chilling performance to the screen, as the antagonist of the story - seriously this guy gives you the chills! But the most beautiful performance is by Rosie the Elephant, who steals the film.
The film runs at a pleasant two hours and the story follows nicely through. Yes it may seem like we have seen this story plenty of times before; "poor lost boy" falls in love with the "rich unattainable girl" but the magic of the circus easily allows you to escape within this world and you are more than happy to go along for the ride. The cinematography captures the exuberance and colour of the circus while the music accompanies the passionate lifestyle.
Flock to the cinemas and run away with Water for Elephants!

Source Code

Source Code is a different take on the “save the world against terrorists” genre film and at its heart it raises a solid moral question regarding the value of life. Starring Jake Gyllenhaal as US Captain Colter Stevens, as he races against time on a mission to save Chicago from an imminent terrorist attack. The film begins as Stevens wakes up on a train in somebody elses body and minutes later the train blows up. He then wakes up a second time to learn that he is working on a mission for the US Army using a new weapon known as source code. The weapon allows him to infiltrate the last eight minute memory of the victim who died on the bombed train earlier that day. Stevens works with fellow soldier Colleen Goodwin played wonderfully by Vera Farmiga to unravel the mystery of the person behind the attack. Love interest Christina portrayed by the beautiful Michelle Monaghan, as one of the victims that Stevens has to save, brings some smiles to the film.
The story as it is written in this blog might seem confusing but it makes a lot of sense on screen. The story unfolds well and perhaps goes in a direction that you would not originally anticipate. The cinematography is beautiful and the effects while maybe not top notch, do the intended job.
The highlight is Jake Gyllenhaal, proving once again that he can play a diverse array of characters in a range of different genre films. An intriguing thriller with credible in depth drama, with a very unique and cool concept – go live and relive Source Code!

Scream 4

The Scream franchise, my guilty pleasure, joins a long list of Hollywood films that are getting remade, reborn and 'sequelised' for a new generation. Unlike most of these other films, Scream does all the right things.
Scream Four still stars our old friends, Sidney Prescott (Neve Campbell), Gale Weathers (Courteney Cox) and Dewey (David Arquette) but it introduces a new high school generation of Ghostface victims.
The reappearance of the infamous Ghostface is triggered by Sidney's return to hometown Woodsboro, where it all began. Sidney is back in town 10 years after her last dealings with Ghostface, promoting her bestselling book. She meets up with all her old friends, married couple Gale and Dewey, as well as her cousin, high school sweetheart Jill (Emma Roberts). Jill heads the new generation which serves the same function as the original cast, even with similar characters archetypes, including hot girl and big boobed Kirby, played cheekily by Hayden Panettiere. Like all previous Scream films, this addition centres around the mystery of who is donning the Ghostface mask - the result may surprise you.
What makes this film so good is the way in which it doesn't take itself too seriously, and that it even parodies the previous Scream films. This addition has also been updated to match the conventions of a new generation of horror slasher films - the purpose of the Scream franchise in the first place. One thing that worked better than the original film was the fact that the teenagers actually look like teenagers, not actors who are in their mid to late twenties pretending to be teens.
There were many highlights in the film but my favourite moment (without giving anything away) had to be the opening sequence, all three of them to be exact. A great introduction to a new generation of Scream seekers.
3.5/5

Limitless

Struggling writer Eddie (Bradley Cooper) faces the cliché story of writers block and after being dumped by his hot girlfriend (Australia’s Abbie Cornish) his life can’t get much worse. That is until he bumps into his ex-brother-in-law who offers him a new kind of drug, yet to appear on the market. This drug enables you to access the full potential of your brain. Eddie tries to refuse but easily gives into temptation, swallowing the pill – the catalyst event that changes his life. Writing becomes less important to Eddie and with his full brain capacity he turns to the stock market, with the ability to understand and predict the markets outcome. This however does not go unnoticed, especially by businessman Carl Van Loon (Robert De Niro) and also a few bad men who are after Eddie’s head.
The film contains a compelling mystery, some surprising twists and a talented cast. One of the main highlights in the film is the way in which they visually achieved in demonstrating the characters perceptions of being on this drug; warmer colours, clearer sounds, rotoscoping and the sick-inducing continual zoom.
A film about drugs – the most powerful drug in the world – one would expect a powerful fall. This is evident in the crisis when one of Eddie’s actions on the floor of his apartment should be a wakeup call to any drug addict! But the ending does not refer to any wakeup call and instead ends on a high.
Moral of the story – Drugs are bad but Eddie doesn't learn a thing.
3.5/5

Red Riding Hood

Catherine Hardwhicke’s first movie since Twilight is a twist on the children’s story Little Red Riding Hood. The film is set in a medieval mountain village, where the townsfolk have lived in fear for many years because of the presence of a deadly werewolf. A not so little red riding hood, known in this story as Valerie (Amanda Seyfried) is mixed up in all the werewolf drama when her younger sister is killed by the wolf. Now Valerie not only has to deal with the choice between being with arranged fiancé Henry (Max Irons) or childhood lover Peter (Shiloh Fernandez); she also has to fight against the wolf and its desires for her. The mystery of the film lies with the identity of the werewolf, which could be anyone in the village.
The first issue with this film is that it will immediately be compared to Twilight because of the notable Catherine Hardwhicke style, but at the end of the day these are two completely different films. The story itself is a bit shaky, mainly due to the heavy Bold and the Beautiful dialogue. The introduction of Gary Oldman’s character breathes life into the film, and you almost forget how obscene the dialogue is when Oldman performs it. The film does have a good enough twist and attempts an emotional ending, but it’s all a bit underdeveloped. The art direction and cinematography is the highlight. The red cloak against the snow is beautiful, but this alone cannot save the film.
Pure escapism and a bit of fun.
2.5/5

I Am Number Four

Nine powerful alien children escape from their war torn home planet Lorien, and seek refuge on planet Earth. The nine separate across the continents protected by their guardians. But they are not alone, the Mogadorians, an enemy alien race who destroyed Lorien are on Earth hunting down the nine, threatened by their potential powers. The catch, a curse permits that the nine can only be killed off in a certain order. In the beginning of the film we see the death of Number Three, the focus then turns to the next in line, the protagonist of the film, Number Four (Alex Pettfyer).
We watch as Number Four moves to a new town; Paradise, Ohio; and we learn that he is constantly on the move with his Guardian Henri (Timothy Olyphant). Number Four with his new alias, John Smith, enrolls in the local school, resulting in John not only having to deal with the awful prospect of being hunted down, but also having to deal with everyday high school perils. John is tired of always being on the run and yearns for stability in his life and with moving to Paradise he makes a friend in Alien-obsessed geek Sam (Melbourne-born Callan McAuliffe) and meets a love interest in Sarah (Glee's Dianna Agron). As John makes a home for himself in Paradise it results in him letting his guard down and perhaps allowing the evil Mogadorians; scary eight footed, bald, black eye, sharp teeth creatures, to locate him.
It may seem confusing but the film is easy to follow. It is based on the novel of the same name which was only released in August 2010, interesting enough the film studio jumped on the project early, buying the creative rights to the manuscript in 2009 before publication. The story obviously has changed from the novel, with information subtracted when it was adapted to film, but the film does setup the mystery arc of the whole series, something that was mentioned once in the novel.
The acting is adequate, the chemistry between John and Sarah is memorable, perhaps emphasised due to both parties being incredibly hot. The film does lose some emotional depth, they changed the order of events in the end of the film which I feel creates less emotional impact in the final crisis.
The action is incredibly cool, character Number Six, played wonderfully by hot Aussie Teresa Palmer, stole the action scenes with her leather jacket, motor bike and kick-ass tactics.
The film is in a potential series of six, the authors plan to spread the story over six novels, but only time will tell, based upon box office success, whether a sequel will ever hit out screens.
3/5